A satin and chiffon, multiway gown inspired by the exquisite draping on Gibson’s Grecian looking ‘Pandora’ sculpture where marble is seemingly turned to chiffon, Isla encapsulates the elegance and fluidity of the era. It is cleverly constructed so that it can be worn with the chiffon tied as a halter neck or draped on the arms to form soft sleeves. Alternatively, they can drape down the back of the skirt to form and extended train leaving the wearer in a strapless satin bodice with contrasting textured chiffon on the flattering A-line skirt.

A biased cut satin column gown with a puddle train. The gently cowled square neckline and straps frame the decolletage in an elegant and modern silhouette. The low back is embellished with two pearl and bead straps and a detachable cowl detail.

A biased cut Italian silk halter necked gown with elegant cowl detail. The neckline is fastened with covered buttons and spaghetti straps frame the back to reveal a low, lace embellished scoop.

A strapless corseted corded lace gown with gently gathered curving sweetheart neckline and detachable full length lace sleeves that finish in a point on the hand. This A-line gown features a side split to the skirt, a cathedral length train, and a hand appliqued scalloped edged hem.

Georgia is a biased cut, matt silk gown with double lace godets in the split side seams. The hem of the gown is finished with a full lace and organza double layered frill adorning her very dramatic train. The deep, low, scooped back fastens with a spaghetti strap. The low scooped neckline is finished with a hand appliqued corded lace that extends from the bodice, underneath the spaghetti straps.